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The Bridge
Now I Understand Why It Had to Happen
...and The Rest





Literary Theory
Dystopia in the Present
War and Rumors of War
Jewel of the Genre
Reading Expectation and Reality
What's In A Name?



Week Twelve: Tricky Bones
Week Eleven: Where's Your Member, Mr. Sulu?
Week Ten: Troping Along in a Fantasy Land
Week Nine: Conflict With Your Host
Week Eight: Nick & Lynn Have a Conversation
Week Seven: Sympathy for the Troublesome Devil Phoenixes
Week Six: Interview with Ryll Paul, Grief, and Celebration
Week Five: Genre and The Unsurrendered
Week Four: Type, Archetypes, and New Adventures
Week Three: Catharsis, Pebbles, and Parrots
Week Two: Dystopia and Puppeteer
Week One: Self-Publishing and Looping in Limbo








Week Twelve: Tricky Bones



Week Eleven: Where's Your Member, Mr. Sulu?



Week Ten: Troping Along in a Fantasy Land




What's In A Name?

by: Lynn Perretta
I will not even use pretense. I love Deconstructionism. There is something about it that is fun. It is like being given a block house, taking it apart piece by piece, and then figuring out how to put it together again to make the same shape. I imagine my brother felt the same way every time he took apart something electronic and tried to put it together again. He did not always succeed with his task, but he always learned something from the exercise.

I am going to play with Richard Marsh's The Key Bearer Saga: Earn Fire to see what happens when I play around with the language construction. What meaning can we uncover when we play with the power of Naming, and what can we learn about power structures...
Continue reading...


Reading Expectation and Reality

by: Lynn Perretta

This week, I am reviewing a work of Historical Fiction, okay, it is really a dramatic novelization of an individual from history, but we are not going to split hairs. I know that such a work screams for a New Historian analysis, but I already had one of those when I reviewed Marcia Gates. I am sure that I’ll revisit schools of criticism, but I want don’t want to do so until I’ve gotten to explore as many of them as I can.

Besides, I do not want to give Treason a New Historian treatment. It is deserving of one. I know that when I set out on this project, I said that I was not going to talk about my opinion, that I was going to keep it strictly on the academic analysis. I have to break that rule a little bit here. This book surprised met, and that, for me, lends this book to another school of criticism: reader-response.
Continue reading...


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